CD Dossier 22 October 2026

Enter the name of the Casting Director you are looking for in the search box below, or scroll down the full alphabetical list to find them.

Search This Week's Dossier:ClearNo matching casting directors found.Adrienne Stern
Contact: sternprojects@yahoo.com — Professionally published office address. The office directory specifies headshot/résumé by email only. The office site did not load during verification; publication and policy are documented, but current delivery/availability is untested.
Location: New York, USA
IMDb: View IMDb
Website: www.adriennestern.com

1. BIOGRAPHY & BACKGROUND
Stern is a New York casting director whose office works in film, television, commercials and theatre, including work in Los Angeles. Her independent-film career includes festival projects and emerging filmmakers. Professional biographies distinguish her casting work from her producing credits; festival success of a film is not treated as a personal casting award.

2. TOP & NOTABLE PROJECTS
• The Believer (feature film, casting-career context)
• Broken English (feature film, casting-career context)
• Keep the Change (feature film, office credit)

3. PROJECT TYPES
Independent narrative film, character drama, comedy and small ensembles; film and television casting.

4. ASSOCIATED OFFICES & TEAM
Company: Adrienne Stern Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For an intimate independent drama, play the relationship rather than illustrating the theme. Keep a reel sample brief and emotionally specific; this is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): sternprojects@yahoo.com — Professionally published office address. The office directory specifies headshot/résumé by email only. The office site did not load during verification; publication and policy are documented, but current delivery/availability is untested. Keep any permitted appeal concise, relevant and clear about availability.

Alan Luna
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Alan Luna is a Los Angeles casting director and producer working across television, film and animation. Public SAG-AFTRA Foundation material identifies him as a first-generation Mexican-American Chicano casting professional with collaborations across Disney, Netflix, HBO Max, Amazon, Nickelodeon, Hulu, Lionsgate and Marvel Studios. His work is particularly relevant to actors suited to contemporary film/TV, animation, culturally specific stories and emerging filmmaker projects.

2. TOP & NOTABLE PROJECTS
• The Long Game (Public Credit Context)
• Buscando Alma (Short Film / SAG-AFTRA Foundation Context)
• If I Go Will They Miss Me (Short Film)
• Marga En El DF (Short Film)
• Adams/Ballesteros/Luna Casting: Admissions (Current Actors Access Context)

3. PROJECT TYPES
Luna’s visible lane includes film, television, animation, shorts, culturally specific stories, emerging filmmakers and studio/streamer-adjacent projects. Actors should be ready for project-specific instructions and should avoid assuming a permanent public submissions inbox where none is verified.

4. ASSOCIATED OFFICES & TEAM
Company: ABL Casting / Adams-Ballesteros-Luna Casting context

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Andrea Rueda Bunker
Contact: Directory specifies agents/managers only, no calls or drop-offs. The official site returned no readable content; no verified public email was found.
Location: Los Angeles / New York, USA
IMDb: View IMDb
Website: www.5thhousecasting.com

1. BIOGRAPHY & BACKGROUND
Bunker began in David Rubin’s office before developing an independent casting practice. In 2022 she partnered with Deanna Brigidi at 5th House Casting. Historical associate credits remain separate from her principal work.

2. TOP & NOTABLE PROJECTS
• Dog Gone (feature, principal casting)
• The Pradeeps of Pittsburgh (television, partnership casting)
• We Were Liars (television, partnership casting)

3. PROJECT TYPES
Film and television ensembles; independent features and young-adult drama.

4. ASSOCIATED OFFICES & TEAM
Company: 5th House Casting
Deanna Brigidi — casting partner.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): Directory specifies agents/managers only, no calls or drop-offs. The official site returned no readable content; no verified public email was found. Keep any permitted appeal concise, relevant and clear about availability.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Directory specifies agents/managers only, no calls or drop-offs. The official site returned no readable content; no verified public email was found.

Angela Quinn
Contact: AngelaQuinnCasting@gmail.com — Published for producers asking the office to cast a project. It is not advertised as unsolicited actor intake.
Location: Kelowna, Canada
IMDb: View IMDb
Website: www.angelaquinncasting.com

1. BIOGRAPHY & BACKGROUND
Quinn runs a British Columbia casting office working across film, television and other screen formats. Her portfolio includes both principal and background assignments, which must be distinguished individually.

2. TOP & NOTABLE PROJECTS
• The Boy in the Photo (telefilm, current PDF CD listing with Jackie Lind)
• The Angel Tree (telefilm, background casting)

3. PROJECT TYPES
Canadian screen casting; mixed principal and background portfolio.

4. ASSOCIATED OFFICES & TEAM
Company: Angela Quinn Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): AngelaQuinnCasting@gmail.com — Published for producers asking the office to cast a project. It is not advertised as unsolicited actor intake. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
AngelaQuinnCasting@gmail.com — Published for producers asking the office to cast a project. It is not advertised as unsolicited actor intake.

Annalese Tilling
Contact: The master retains a project-specific Lally/Tilling inbox; it is not verified for this week’s titles and is withheld. Use a current project notice or representatives.
Location: Vancouver / Coquitlam, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Annalese Tilling is a Vancouver-based CSA casting director and co-founder of Lally/Tilling Casting with Errin Lally. Public production profiles place the office among Vancouver’s active casting teams working across film and television, including Canadian series, US productions shooting in British Columbia, TV movies and genre features.

2. TOP & NOTABLE PROJECTS
• Longlegs (Feature Film)
• Murder in a Small Town (Television Series)
• Nancy Drew (Television Series)

3. PROJECT TYPES
Tilling’s work with Lally/Tilling points towards Canadian scripted television, Vancouver location casting, MOW/holiday films, mystery, romance, procedural drama, genre features and ensemble television. Local availability and Canadian work eligibility are strategically important.

4. ASSOCIATED OFFICES & TEAM
Company: Lally/Tilling Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: For Lally/Tilling-style television work, pace and clarity matter. Actors should arrive with a playable choice, understand the rhythm of the genre, and avoid dragging the scene. The most strategic read is grounded, active and production-ready.
B) The Cold Appeal (Email/Demo): The master retains a project-specific Lally/Tilling inbox; it is not verified for this week’s titles and is withheld. Use a current project notice or representatives.

Anne McCarthy
Contact: Office directory policy: agents/managers only, no calls or drop-offs. No current standing public email verified. A historical project-specific Morgan Robbins inbox is withheld.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Anne McCarthy is listed as casting director at Engine Casting. Studio press notes credit McCarthy, Roy and Robbins together on Red Right Hand; older associate labels for Robbins do not determine current project responsibility.

2. TOP & NOTABLE PROJECTS
• Red Right Hand (Feature Film — casting director)
• ROT (Feature Film — current project casting credit; territories unconfirmed)

3. PROJECT TYPES
Film, television, genre, suspense and ensemble casting.

4. ASSOCIATED OFFICES & TEAM
Company: Engine Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): Office directory policy: agents/managers only, no calls or drop-offs. No current standing public email verified. A historical project-specific Morgan Robbins inbox is withheld.

Bonnie Timmermann
Contact: No verified current public actor-submission inbox was established after office/directory, interview and professional-programme searches. Use a current authorised project breakdown or representative route; do not infer an email from her name.
Location: USA; New York career context, current individual office base unconfirmed
IMDb: View IMDb

1. RESEARCH STATUS & BACKGROUND
Timmermann is a veteran casting director and producer whose casting career spans large studio ensembles and independent drama. Her long association with Michael Mann includes Heat and The Insider. Producing work is a separate part of her career and is not automatically a casting credit. Public masterclass material documents her actor-facing work, but does not establish a standing unsolicited-submission route.

2. TOP & NOTABLE PROJECTS
• Heat (feature film, casting)
• Armageddon (feature film, casting)
• Glengarry Glen Ross (feature film, casting)
• In the Gloaming (television film, producer context)

3. PROJECT TYPES
Studio and independent features, character-led drama, crime and large ensembles.

4. ASSOCIATED OFFICES & TEAM
Company: Independent casting and producing; current standing office unconfirmed

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose an extract with a clear relationship and active stakes. Distinguish cinematic naturalism from an underpowered performance; any preparation advice here is editorial, not a claim about her private audition preferences.
B) The Cold Appeal (Email/Demo): No verified current public actor-submission inbox was established after office/directory, interview and professional-programme searches. Use a current authorised project breakdown or representative route; do not infer an email from her name. Keep any permitted appeal concise, relevant and clear about availability.

Brent Hagata
Contact: No verified public direct actor-submission email found across professional programme, office-directory and current guild sources. Earlier office listings prohibit unsolicited material. Workshop administration inboxes are not his casting inbox.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Hagata studied film at UC Santa Barbara and moved from representation into casting in 2012. His television career includes assistant and associate assignments, which remain distinct from principal work. A current Casting Society biography names him as co-casting director of The Last Hurrah with Katie Lantz; older directories still describe associate positions and are not used to deny that documented principal work.

2. TOP & NOTABLE PROJECTS
• The Last Hurrah (feature film, co-casting director with Katie Lantz)
• 9-1-1: Lone Star (television, office/department context)
• Crazy Ex-Girlfriend (television, casting-department context)

3. PROJECT TYPES
Independent film and television, across comedy and drama; historical associate work is separately qualified.

4. ASSOCIATED OFFICES & TEAM
Company: Independent casting; collaboration with Felicia Fasano and Katie Lantz

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare the scene’s comic or dramatic rhythm and make an active choice that can change under direction. Do not assume an older office affiliation defines his present independent project; editorial advice.
B) The Cold Appeal (Email/Demo): No verified public direct actor-submission email found across professional programme, office-directory and current guild sources. Earlier office listings prohibit unsolicited material. Workshop administration inboxes are not his casting inbox. Keep any permitted appeal concise, relevant and clear about availability.

Brian Levy
Contact: brian@brianlevycasting.ca — office email; observe policy below
Location: Toronto, Canada
IMDb: View IMDb
Website: brianlevycasting.ca

1. BIOGRAPHY & BACKGROUND
Brian Levy is a Canadian casting director and producer based in Toronto. His official biography says he has cast television, feature film and commercial projects in Canada, the US and Europe since 1985. He began as an actor, trained at the Vancouver Playhouse Acting School, and later moved into casting, giving his office a strong actor-process orientation.

2. TOP & NOTABLE PROJECTS
• Diggstown (Television Series)
• Mayday (Television Series)
• RoboCop: Prime Directives (Television Series)

3. PROJECT TYPES
Levy casts long-form television, feature film, television movies, commercials and Canadian/international projects. His recent resume includes Canadian drama, Hallmark/Lifetime-style television films, commercials, factual/reenactment material and independent features.

4. ASSOCIATED OFFICES & TEAM
Company: Brian Levy Casting Inc.

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: Levy’s actor-training background makes preparation, listening and camera technique especially important. For Canadian TV movies and commercials, keep the work truthful, efficient and emotionally accessible rather than theatrical.
B) The Cold Appeal (Email/Demo): Official contact route: brian@brianlevycasting.ca. Keep submissions practical, link-based and easy to assess.

Catherine Stroud
Contact: submissions@londonstroudcasting.com — The official office contact page explicitly directs ACTORS to this shared submissions address. Its separate casting@ business/project address is not the actor route. An older directory says representatives only/post only; official actor instructions take priority, but the live site timed out and current access should be checked before use.
Location: Los Angeles, USA
IMDb: View IMDb
Website: londonstroudcasting.com

1. BIOGRAPHY & BACKGROUND
Stroud grew up in Toronto and worked as a children’s theatre director before moving to Los Angeles and into casting. With her London/Stroud partner she has cast studio comedies, independent features and television, including youth and family projects. Their official office history describes a long partnership and an interest in discovering emerging actors.

2. TOP & NOTABLE PROJECTS
• The House Bunny (feature film, office casting)
• Freaks (feature film, office casting)
• Hannah Montana (television, pilot casting context)

3. PROJECT TYPES
Feature films, comedy, youth/family television and independent drama; ensemble and emerging-talent searches.

4. ASSOCIATED OFFICES & TEAM
Company: London/Stroud Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For comedy, establish the character’s need and relationship before adding comic colour. Youth and family material still needs truthful stakes and clean pacing; editorial preparation advice.
B) The Cold Appeal (Email/Demo): submissions@londonstroudcasting.com — The official office contact page explicitly directs ACTORS to this shared submissions address. Its separate casting@ business/project address is not the actor route. An older directory says representatives only/post only; official actor instructions take priority, but the live site timed out and current access should be checked before use. Keep any permitted appeal concise, relevant and clear about availability.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
The official office contact page explicitly directs ACTORS to this shared submissions address. Its separate casting@ business/project address is not the actor route. An older directory says representatives only/post only; official actor instructions take priority, but the live site timed out and current access should be checked before use.

Chelsea Ellis Bloch
Contact: casting@atomichoney.com — Published shared office email; unrestricted unsolicited actor submissions are not stated.
Location: Los Angeles, USA
IMDb: View IMDb
Website: www.atomichoney.com

1. BIOGRAPHY & BACKGROUND
Bloch co-founded Atomic Honey with Marisol Roncali in 2019 after studio feature-casting work at Fox. Their practice combines screen casting with searches beyond conventional actor pools.

2. TOP & NOTABLE PROJECTS
• Carry-On (feature, office casting)
• Blue Beetle (feature, office casting)
• Emily the Criminal (feature, office casting)

3. PROJECT TYPES
Features, television and street casting; office credits do not erase individual role distinctions.

4. ASSOCIATED OFFICES & TEAM
Company: Atomic Honey Casting
Marisol Roncali — co-founder and casting director.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): casting@atomichoney.com — Published shared office email; unrestricted unsolicited actor submissions are not stated. Keep any permitted appeal concise, relevant and clear about availability.

Christian Bustamante
Contact: Official professional portfolio has an Email control, but its address was not exposed in the checked record. No verified standing email is provided; follow the live portfolio or current authorised breakdown. Older open-call addresses apply only to their original notices.
Location: USA — standing office base unconfirmed
IMDb: View IMDb
Website: linktr.ee

1. RESEARCH STATUS & BACKGROUND
Bustamante’s professional portfolio describes independent narrative casting across features, shorts and television. Earlier office work must be distinguished from his current independent project credit.

2. TOP & NOTABLE PROJECTS
• TAKE TWO (current PDF CD credit)
• SummerWinterSummer (professional portfolio context)
• TAKE TWO (Principal CD / office partner identification from current PDF)
• Taga (Casting; official 2026 festival catalogue credit, indexed record; live page returned 403)

3. PROJECT TYPES
Independent narrative features, shorts and television.

4. ASSOCIATED OFFICES & TEAM
Company: Bustamante Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): Official professional portfolio has an Email control, but its address was not exposed in the checked record. No verified standing email is provided; follow the live portfolio or current authorised breakdown. Older open-call addresses apply only to their original notices. Keep any permitted appeal concise, relevant and clear about availability.

Colleen Rush
Contact: Associated office/team: Company: Independent casting officeCanadian film and television casting director. No verified public direct email in the master.
Location: Toronto, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Colleen Rush is credited by Production Weekly as a principal casting director on EIGHT NIGHTS OF ROMANCE. Canadian film and television casting director. The record is deliberately limited to verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• Run the Burbs (Public credit context)
• Shelved (Public credit context)
• Simulant (Public credit context)
• EIGHT NIGHTS OF ROMANCE (Production Weekly principal casting credit)

3. PROJECT TYPES
Telefilm / Hallmark. Public credits also connect this record with Run the Burbs, Shelved, Simulant.

4. ASSOCIATED OFFICES & TEAM
Company: Independent casting office

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Associated office/team: Company: Independent casting officeCanadian film and television casting director. No verified public direct email in the master. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Corinne Clark
Contact: No verified public email found. Use representatives and project-specific breakdowns; confirm the territorial casting team.
Location: Vancouver, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Corinne Clark works in Vancouver casting alongside Jennifer Page. Professional award records distinguish their location-casting responsibilities from the lead casting team.

2. TOP & NOTABLE PROJECTS
• The Last of Us, season 2 (Television — location casting director context)
• ARRIVALS: A NEW MANIFEST MYSTERY (Series — project casting credit; territory unconfirmed)

3. PROJECT TYPES
Canadian/location casting for film and television.

4. ASSOCIATED OFFICES & TEAM
Company: Clark & Page Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): No verified public email found. Use representatives and project-specific breakdowns; confirm the territorial casting team.

Courtney Bright
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Courtney Bright is credited by Production Weekly as a principal casting director on MANIAC COP. Film and television casting director working with Nicole Daniels. The record is deliberately limited to verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• On the Rocks (Public credit context)
• Priscilla (Public credit context)
• G.I. Joe: The Rise of Cobra (Public credit context)
• MANIAC COP (Production Weekly principal casting credit)

3. PROJECT TYPES
Feature Film. Public credits also connect this record with On the Rocks, Priscilla, G.I. Joe: The Rise of Cobra.

4. ASSOCIATED OFFICES & TEAM
Company: Bright/Daniels Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

David Caparelliotis
Contact: No verified current standing public actor-email route established. A professional directory describes headshot/résumé and showcase invitations by post only, with no calls or drop-offs. The historical capcastingaux@gmail.com open-call address and university academic email are not generic current actor routes.
Location: New York, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Caparelliotis owns a New York casting office working across theatre, film and television. His university biography documents series casting and an extensive Broadway and regional-theatre practice. Recent theatre producer credits list him with Joe Gery. Teaching contact details and old project-only call inboxes are not treated as general actor-intake routes.

2. TOP & NOTABLE PROJECTS
• New Amsterdam (television, series casting)
• The Boys in the Band (feature film, casting)
• The Minutes (stage, casting)
• The Other Americans (stage, office casting with Joe Gery)

3. PROJECT TYPES
Theatre, new plays, television drama and narrative features; stage and screen credits remain distinct.

4. ASSOCIATED OFFICES & TEAM
Company: Caparelliotis Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For text-led drama, understand the argument, listen and let each thought change the next. Adjust scale for screen rather than carrying a theatre-sized delivery into a close-up; editorial advice.
B) The Cold Appeal (Email/Demo): No verified current standing public actor-email route established. A professional directory describes headshot/résumé and showcase invitations by post only, with no calls or drop-offs. The historical capcastingaux@gmail.com open-call address and university academic email are not generic current actor routes. Keep any permitted appeal concise, relevant and clear about availability.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
No verified current standing public actor-email route established. A professional directory describes headshot/résumé and showcase invitations by post only, with no calls or drop-offs. The historical capcastingaux@gmail.com open-call address and university academic email are not generic current actor routes.

David Rapaport
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles / Burbank, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
David Rapaport is a major Los Angeles casting director and partner at Rapaport/Baldasare Casting with Lyndsey Baldasare. His work is strongly associated with youth-skewing television, YA drama, genre television, comic-book properties, streamer romance/drama and high-profile network/streamer series. Public interviews describe his long creative partnership with Baldasare and their appetite for actors who bring individuality to the tape.

2. TOP & NOTABLE PROJECTS
• Gossip Girl (Television Series)
• Riverdale (Television Series)
• The Flash (Television Series)
• Arrow (Television Series)
• You (Television Series)
• The Summer I Turned Pretty (Television Series)
• XO, Kitty (Television Series)

3. PROJECT TYPES
Rapaport’s work is especially relevant to actors suited to YA drama, comic-book television, supernatural/genre series, young adult romance, streamer drama and ensemble worlds where essence matters as much as literal fit.

4. ASSOCIATED OFFICES & TEAM
Company: Rapaport/Baldasare Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Deanna Brigidi
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: New York, USA / Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Deanna Brigidi is a CSA casting director and partner in 5th House Casting with Andrea Bunker. Public sources connect her to film, television, interactive/digital media and global searches, with credits across drama, young adult ensemble material, independent features, streamer series and studio projects. She is especially visible for casting projects requiring specific young ensembles, emotionally nuanced roles and broad searches beyond obvious pools.

2. TOP & NOTABLE PROJECTS
• We Were Liars (Television Series)
• The Wilds (Television Series)
• The Pradeeps of Pittsburgh (Television Series)
• Blindspotting (Open Call / Casting Context)
• The Deleted (Television Series)
• Jacob’s Ladder (Feature Film)
• Casual (Television Series)

3. PROJECT TYPES
Brigidi’s lane includes film, television, young adult ensemble drama, global searches, streamer series, independent film, interactive/digital media and roles where chemistry, authenticity and emotional specificity are central. Actors should be exact about age range, location, identity/language requirements and availability when the brief demands it.

4. ASSOCIATED OFFICES & TEAM
Company: 5th House Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Donald Paul Pemrick
Contact: Associated office/team: Company: Pemrick/Fronk CastingBegan in casting in 1980 and co-founded Pemrick/Fronk Casting. No verified public direct email in the master.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Donald Paul Pemrick is credited by Production Weekly as a principal casting director on THE SEED. Began in casting in 1980 and co-founded Pemrick/Fronk Casting. The record is deliberately limited to verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• The Seed (Public credit context)
• The Trouble with the Truth (Public credit context)
• independent films (Public credit context)
• THE SEED (Production Weekly principal casting credit)

3. PROJECT TYPES
Feature Film. Public credits also connect this record with The Seed, The Trouble with the Truth, independent films.

4. ASSOCIATED OFFICES & TEAM
Company: Pemrick/Fronk Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Associated office/team: Company: Pemrick/Fronk CastingBegan in casting in 1980 and co-founded Pemrick/Fronk Casting. No verified public direct email in the master. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Errin Lally
Contact: The master retains a project-specific Lally/Tilling inbox; it is not verified for this week’s titles and is withheld. Use a current project notice or representatives.
Location: Vancouver, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Errin Lally is a Vancouver-based casting director and co-lead of Lally/Tilling Casting with Annalese Tilling. Public listings describe Lally/Tilling as a Vancouver casting agency known for film and television work, including Canadian series, US productions shooting in British Columbia, TV movies and genre features.

2. TOP & NOTABLE PROJECTS
• Longlegs (Feature Film)
• Murder in a Small Town (Television Series)
• Nancy Drew (Television Series)

3. PROJECT TYPES
Lally’s work is especially relevant to Vancouver-based actors in Canadian television, US productions shooting in British Columbia, MOW/holiday films, mystery films, genre features, romance, procedural drama and ensemble television. Local availability and Canadian work eligibility are strategically important.

4. ASSOCIATED OFFICES & TEAM
Company: Lally/Tilling Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: For Lally/Tilling’s television and MOW lanes, pace, clarity and immediate tone recognition matter. Actors should be able to play truthful emotion inside familiar genre structures: romance, mystery, holiday, thriller, procedural or supernatural.
B) The Cold Appeal (Email/Demo): The master retains a project-specific Lally/Tilling inbox; it is not verified for this week’s titles and is withheld. Use a current project notice or representatives.

Felicia Fasano
Contact: Published office policy accepts submissions through agents and managers only, with no calls or drop-offs. No verified current public direct email was established. SAG-AFTRA Foundation class-administration addresses are not actor-submission addresses for her office.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Fasano is a Los Angeles casting director working in television and film. Her credits include character-led comedy and drama, with long-running ensemble series as well as features. Current guild material identifies co-casting work with Katie Lantz; Brent Hagata’s separate principal work is also documented. Earlier associate/assistant assignments within their wider careers are not promoted into principal credits.

2. TOP & NOTABLE PROJECTS
• Better Things (television, casting director)
• Californication (television, casting director)
• Crazy Ex-Girlfriend (television, casting director)
• Survival of the Thickest (television, co-casting context)

3. PROJECT TYPES
Comedy, drama and ensemble television; independent and studio features.

4. ASSOCIATED OFFICES & TEAM
Company: Felicia Fasano Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For comedy with emotional stakes, play the situation without signalling the joke. Offer a clear relationship and sustain the scene’s rhythm. This is editorial guidance, not an invented preference.
B) The Cold Appeal (Email/Demo): Published office policy accepts submissions through agents and managers only, with no calls or drop-offs. No verified current public direct email was established. SAG-AFTRA Foundation class-administration addresses are not actor-submission addresses for her office. Keep any permitted appeal concise, relevant and clear about availability.

Francine Maisler
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Francine Maisler is one of the most influential casting directors in American film and prestige television. She is a major ensemble builder for auteur film, awards-facing drama, comedy-drama, prestige television and socially charged material. Her public profile shows a casting director who remembers actors long-term and often helps directors find non-obvious, defining choices.

2. TOP & NOTABLE PROJECTS
• Sinners (Feature Film)
• Succession (Television Pilot)
• The Underground Railroad (Limited Series)
• Marriage Story (Feature Film)
• The Trial of the Chicago 7 (Feature Film)
• Vice (Feature Film)
• The Big Short (Feature Film)

3. PROJECT TYPES
Maisler casts auteur film, awards-facing drama, prestige television pilots/limited series, ensemble features, socially and politically charged material, comedy-drama, literary adaptation and filmmaker-driven work. She is especially important for actors with serious craft, intelligence, range and the ability to register inside sophisticated ensembles.

4. ASSOCIATED OFFICES & TEAM
Company: Francine Maisler Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Gaby Whyte-Hart
Contact: gaby@gwhcasting.com — Professional address published in the official CDA directory’s indexed record. Unsolicited actor-intake permission is not explicitly established. Do not use historical Filmtrax addresses or assume a workshop is a casting opportunity.
Location: London, UK
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Whyte-Hart is a London-based Casting Directors Association full member specialising in film. She entered the industry as a teenager and also works as a producer and director. Her company biography describes work in the UK and Los Angeles, including casting on Becoming and Dirty Angels. Public biographies disagree about her exact degree and institution wording, so education detail is withheld pending clarification.

2. TOP & NOTABLE PROJECTS
• Becoming (feature film, casting/producer context)
• Dirty Angels (feature film, casting)
• Dead End (feature film, casting/producer context)

3. PROJECT TYPES
Narrative features, genre, thriller and international casting; producing and directing are separate roles.

4. ASSOCIATED OFFICES & TEAM
Company: GWH Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For heightened genre work, keep the immediate objective believable and the physical circumstances specific. An accent or emotional effect should support the story, not replace it; editorial advice.
B) The Cold Appeal (Email/Demo): gaby@gwhcasting.com — Professional address published in the official CDA directory’s indexed record. Unsolicited actor-intake permission is not explicitly established. Do not use historical Filmtrax addresses or assume a workshop is a casting opportunity. Keep any permitted appeal concise, relevant and clear about availability.

Ilona Smyth
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Ottawa / Ontario, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Ilona Smyth is the founder and CEO of Smyth Casting, an Ottawa/Ontario casting company working across principal casting, background casting, television, film, commercials and regional Canadian production. Public sources describe her as a CSA member, Casting Director Society of Canada executive member and founder/CEO of Background Work. She has built a major regional casting infrastructure and is especially vocal about the idea that talent is not geographical.

2. TOP & NOTABLE PROJECTS
• Relative Danger (Public Interview Context)
• Son of a Critch (/ wider Canadian regional casting context)

3. PROJECT TYPES
Smyth’s lane includes Canadian regional casting, Hallmark/Lifetime films, MOWs, background casting, local principal roles, commercials, corporate videos, live events and productions that need strong regional talent pipelines. Actors should make location, availability, union status and local-hire viability very clear.

4. ASSOCIATED OFFICES & TEAM
Company: Smyth Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Ivy Pham
Contact: ivy@ivyphamcasting.com — Follow the retained office restrictions; unsolicited intake is not assumed.
Location: New York, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Ivy Pham is a New York-based casting director working across film, television, fashion, advertising, editorial and street casting. Her official site describes 10 years of casting experience and a worldwide casting-service footprint. She is also publicly associated with Jennifer Venditti / JV8INC as a casting associate, which places her in a discovery-led and non-traditional casting ecosystem.

2. TOP & NOTABLE PROJECTS
• Born to Kill (Current/Open Call Context)
• Bugonia (Casting Department Context)
• Marty Supreme (Casting Department Context)
• The Smashing Machine (Casting Department Context)
• The Curse (JV8 Associate Context)

3. PROJECT TYPES
Pham’s lane includes independent film, street casting, fashion/editorial, advertising, real people, discovery casting, culturally specific searches and contemporary New York projects. Actors and non-actors with strong specificity, cultural fit, unusual presence or real-world texture may be especially relevant.

4. ASSOCIATED OFFICES & TEAM
Company: Ivy Pham Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): ivy@ivyphamcasting.com — Follow the retained office restrictions; unsolicited intake is not assumed. Keep any permitted appeal concise, relevant and clear about availability.

Jackie Lind
Contact: jackie@jackielindcasting.com — Current guild-listed professional address. Retained office policy: no unsolicited actor submissions. Earlier assistant/project inboxes are not established for this week and are withheld; use a current authorised notice or representatives.
Location: Burnaby / Vancouver, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Jackie Lind is a veteran Canadian casting director based in British Columbia. Public profiles describe her as a two-time Primetime Emmy winner and multiple Leo Award winner, with a career spanning Canadian and US productions shooting in Vancouver, British Columbia and Alberta. Her office handles local Canadian casting and casting for major US productions filming in Western Canada.

2. TOP & NOTABLE PROJECTS
• Fargo (Television Series)
• Snowpiercer (Television Series)
• Prey (Feature Film)
• Hell on Wheels (Television Series)
• Billy the Kid (Television Series)
• Broken Trail (Television Miniseries)
• Honey, I Shrunk the Kids: The TV Show (Television Series)

3. PROJECT TYPES
Lind’s office is especially important for Vancouver, Burnaby, British Columbia and Alberta actors. Her work includes prestige limited series, Westerns, period drama, genre, US studio/streamer productions, Canadian local casting and productions that need deep regional talent knowledge.

4. ASSOCIATED OFFICES & TEAM
Company: Jackie Lind Casting Ltd.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): jackie@jackielindcasting.com — Current guild-listed professional address. Retained office policy: no unsolicited actor submissions. Earlier assistant/project inboxes are not established for this week and are withheld; use a current authorised notice or representatives. Keep any permitted appeal concise, relevant and clear about availability.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Current guild-listed professional address. Retained office policy: no unsolicited actor submissions. Earlier assistant/project inboxes are not established for this week and are withheld; use a current authorised notice or representatives.

Jason Stroud
Contact: jason.stroud@gmail.com — office email; observe policy below
Location: Toronto, Canada
IMDb: View IMDb
Website: brianlevycasting.ca

1. BIOGRAPHY & BACKGROUND
Jason R. Stroud is a Toronto casting director with Brian Levy Casting Inc. His official Brian Levy Casting biography says he holds an MFA in acting from The New School of Drama and has worked closely with Olympia Dukakis, John Turturro and Ron Leibman. He has worked with several Toronto casting directors and is also a dialect and acting coach.

2. TOP & NOTABLE PROJECTS
• Orah (Feature Film)
• Claws of the Red Dragon (Feature Film)
• Beyond the Crimson Gate (Project / Public Credit Context)

3. PROJECT TYPES
Stroud’s lane includes Canadian film, television, commercials, motion-capture, dialect/acting-coach-informed casting and Toronto-based screen work. His acting-training background suggests a practical interest in actors who understand scene structure, story, physical/vocal specificity and camera technique.

4. ASSOCIATED OFFICES & TEAM
Company: Brian Levy Casting Inc.

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: Stroud’s actor-training and dialect-coach background means sloppy technique will show. Prepare the scene actively, understand the story function, and be vocally and physically specific without becoming theatrical. For dialect work, do not approximate if the brief needs precision.
B) The Cold Appeal (Email/Demo): Approved direct route: jason.stroud@gmail.com. Do not blur workshop enquiries with general actor pitching; state the purpose clearly in the subject/body.

Jeff Hardwick
Contact: Published directory policy permits headshot/résumé/reel by post, with no calls or drop-offs. The historical jeff@jeffhardwickcasting.com business address is retained in research notes but not verified as a current actor-email route; no generic email pitch is recommended.
Location: Los Angeles / Studio City, USA
IMDb: View IMDb
Website: www.jeffhardwickcasting.com

1. RESEARCH STATUS & BACKGROUND
Hardwick is a casting director whose documented office work includes features, television films, commercials and television. Industry listings identify both union and non-union work, including suspense and thriller television films. A public business address appears in older professional lists, but its current use could not be confirmed through the office website.

2. TOP & NOTABLE PROJECTS
• Escaping My Stalker (television film, office credit)
• My Daughter’s Ransom (television film, office credit)
• Carriers (feature film, office credit)

3. PROJECT TYPES
Television films, thriller and suspense, narrative features, commercials and voiceover work.

4. ASSOCIATED OFFICES & TEAM
Company: Jeff Hardwick Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For a suspense scene, make the practical threat and what the character knows at that moment precise. Avoid playing the ending before the scene has earned it; editorial preparation advice.
B) The Cold Appeal (Email/Demo): Published directory policy permits headshot/résumé/reel by post, with no calls or drop-offs. The historical jeff@jeffhardwickcasting.com business address is retained in research notes but not verified as a current actor-email route; no generic email pitch is recommended. Keep any permitted appeal concise, relevant and clear about availability.

Jennifer Page
Contact: No verified public email found. Use representatives and project-specific breakdowns; confirm the territorial casting team.
Location: Vancouver, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Jennifer Page works in Vancouver casting alongside Corinne Clark. Professional award records distinguish their location-casting responsibilities from the lead casting team.

2. TOP & NOTABLE PROJECTS
• The Last of Us, season 2 (Television — location casting director context)
• ARRIVALS: A NEW MANIFEST MYSTERY (Series — project casting credit; territory unconfirmed)

3. PROJECT TYPES
Canadian/location casting for film and television.

4. ASSOCIATED OFFICES & TEAM
Company: Clark & Page Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): No verified public email found. Use representatives and project-specific breakdowns; confirm the territorial casting team.

Jennifer Ricchiazzi
Contact: Current directory says no unsolicited submissions. Its direct contact details are subscription-restricted; no verified public email was found. Use a representative rather than a guessed address.
Location: USA; exact current base not independently resolved
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Ricchiazzi is a film and television casting director. Her current professional directory lists La La Casting and representative feature credits; earlier associate work is a separate career stage.

2. TOP & NOTABLE PROJECTS
• The Clapper (feature, public casting-office credit)
• Free Ride (feature, public casting-office credit)
• Fat Kid Rules the World (feature, public casting-office credit)

3. PROJECT TYPES
Narrative features and television.

4. ASSOCIATED OFFICES & TEAM
Company: La La Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): Current directory says no unsolicited submissions. Its direct contact details are subscription-restricted; no verified public email was found. Use a representative rather than a guessed address. Keep any permitted appeal concise, relevant and clear about availability.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Current directory says no unsolicited submissions. Its direct contact details are subscription-restricted; no verified public email was found. Use a representative rather than a guessed address.

Jenny Lewis
Contact: jenny@lewiskaycasting.com — office email; observe policy below
Location: Toronto, Canada
IMDb: View IMDb
Website: www.lewiskaycasting.com

1. BIOGRAPHY & BACKGROUND
Jenny Lewis is a Toronto casting director and partner at Lewis Kay Casting with Sara Kay. She is also publicly listed as Chair, Film and Television for the Casting Directors Society of Canada. Her work spans Canadian and international television, comedy, genre, prestige drama, features and productions shooting in Toronto and wider Canada.

2. TOP & NOTABLE PROJECTS
• What We Do in the Shadows (Television Series)
• The Boys (Television Series)
• Gen V (Television Series)

3. PROJECT TYPES
Lewis’s lane includes Canadian television, comedy, genre, superhero/satire, location casting for US productions, Canadian features, indie films, host/reality roots and major streamer/network projects. Actors should understand the difference between Canadian and American casting expectations and make local eligibility clear.

4. ASSOCIATED OFFICES & TEAM
Company: Lewis Kay Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: Lewis Kay’s credits require actors who can handle both comedy and genre without losing truth. For What We Do in the Shadows -style comedy, do not push jokes. For The Boys or Gen V -style genre, ground the absurd or extreme premise in real behaviour.
B) The Cold Appeal (Email/Demo): Office policy: no unsolicited auditions; no background casting. Historical open-call inboxes are not standing submission routes.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Office policy: no unsolicited auditions; no background casting. Historical open-call inboxes are not standing submission routes.

Jessica Kelly
Contact: No verified public email found. Check current office or project instructions through representatives; old associate biographies should not determine current credit.
Location: New York, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Kelly casts film and television, including independent features. Film Independent’s casting panel identifies her work on Patti Cake$, Jackie and Obvious Child.

2. TOP & NOTABLE PROJECTS
• Patti Cake$ (Feature Film)
• Jackie (Feature Film)
• Obvious Child (Feature Film)

3. PROJECT TYPES
Independent features, film ensembles and television.

4. ASSOCIATED OFFICES & TEAM
Company: Chrystie Street Casting context

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): No verified public email found. Check current office or project instructions through representatives; old associate biographies should not determine current credit.

Jessica Sherman
Contact: Official contact form is for directors/producers and explicitly excludes actor submissions. The site links Performer Access, but its contents could not be retrieved; check the live instructions. No public actor email verified.
Location: Los Angeles, USA
IMDb: View IMDb
Website: www.jessicashermancasting.com

1. BIOGRAPHY & BACKGROUND
Sherman founded her company in 2017 after working with April Webster. Her independent film and television casting includes Skin, Sleight and Willow. Her early Bad Robot work belongs to mentorship/team context.

2. TOP & NOTABLE PROJECTS
• Sleight (Feature Film)
• Thumper (Feature Film)
• Willow (Television Series)

3. PROJECT TYPES
Independent features, genre, television and talent discovery.

4. ASSOCIATED OFFICES & TEAM
Company: Jessica Sherman Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): Official contact form is for directors/producers and explicitly excludes actor submissions. The site links Performer Access, but its contents could not be retrieved; check the live instructions. No public actor email verified.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Official contact form is for directors/producers and explicitly excludes actor submissions. The site links Performer Access, but its contents could not be retrieved; check the live instructions. No public actor email verified.

JJ Ogilvy
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Vancouver, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
JJ Ogilvy is a Vancouver-based casting director and partner at Cossey/Ogilvy Casting with Sean Cossey. Public casting listings place the office in Vancouver film and television, especially US network and streamer productions shooting in British Columbia. The office is strongly associated with genre, superhero, YA, supernatural and ensemble series.

2. TOP & NOTABLE PROJECTS
• The Flash (Television Series)
• Superman & Lois (Television Series)
• Supergirl (Television Series)
• The Good Doctor (Television Series)
• Riverdale (Television Series)
• Mayfair Witches (Television Series)
• Dead Boy Detectives (Television Series)

3. PROJECT TYPES
Ogilvy’s lane is Vancouver location casting for film and television, particularly superhero, genre, fantasy, supernatural, medical/procedural, YA and US productions shooting in BC. Actors need clean self-tape technique, fast turnaround, strong genre literacy and clear Canadian/local availability.

4. ASSOCIATED OFFICES & TEAM
Company: Cossey/Ogilvy Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Joe Gery
Contact: No verified current public personal actor-submission inbox was established. Use a current authorised breakdown or the office’s verified submission policy. Historical office open-call and workshop-booking addresses are not standing routes for Afterlife with Archie.
Location: New York, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Gery has worked with Caparelliotis Casting in theatre and with Meredith Tucker Casting in television. Older workshop and office records call him an associate; current theatre producer credits and 2026 audition personnel list him as a casting director. Both stages of his career are preserved without rewriting historical associate work as principal casting. His precise television remit on Afterlife with Archie remains source-listed rather than independently assigned.

2. TOP & NOTABLE PROJECTS
• The Other Americans (stage, casting with David Caparelliotis)
• The Reservoir (stage, casting with David Caparelliotis)
• Danger and Opportunity (stage, casting with David Caparelliotis)
• The White Lotus (television, historical casting-department context)

3. PROJECT TYPES
New plays, Broadway/off-Broadway and regional theatre, plus television casting-department work.

4. ASSOCIATED OFFICES & TEAM
Company: Caparelliotis Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For contemporary dialogue, follow the changing thought and relationship rather than presenting a fixed emotional result. Keep the scale suited to the medium; editorial preparation advice.
B) The Cold Appeal (Email/Demo): No verified current public personal actor-submission inbox was established. Use a current authorised breakdown or the office’s verified submission policy. Historical office open-call and workshop-booking addresses are not standing routes for Afterlife with Archie. Keep any permitted appeal concise, relevant and clear about availability.

John Papsidera
Contact: Public policy: union only; accepts headshot/CV/demo reel by mail only. No calls. No drop-offs. Verify any alleged outreach carefully because public social media has warned about impersonation/scam accounts.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
John Papsidera is the founder of Automatic Sweat and one of the most prominent casting directors in American film and television. Public profiles describe him as a long-running Christopher Nolan collaborator and connect him to studio blockbusters, prestige auteur films, franchise films, event television and major streamer projects. His public social media has also warned actors about impersonation/scam accounts using his name.

2. TOP & NOTABLE PROJECTS
• Oppenheimer (Feature Film)
• The Dark Knight (Feature Film)
• Inception (Feature Film)

3. PROJECT TYPES
Papsidera’s lane includes studio features, auteur blockbusters, sci-fi, superhero, Western/contemporary frontier drama, action, prestige drama, major streamer series and event television. Actors need film presence, restraint, clarity and the ability to fit inside very controlled tonal worlds.

4. ASSOCIATED OFFICES & TEAM
Company: Automatic Sweat

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: For this scale of casting, do not “perform importance”. In blockbuster, prestige or genre material, simple truthful behaviour is usually stronger than matching the size of the production. Bring stakes, clarity, restraint and specificity.
B) The Cold Appeal (Email/Demo): Public policy: union only; accepts headshot/CV/demo reel by mail only. No calls. No drop-offs. Verify any alleged outreach carefully because public social media has warned about impersonation/scam accounts.

Judy Lee
Contact: No verified public email found. Use representatives or live project instructions.
Location: Vancouver, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Lee works in Canadian screen casting and is also credited as Judy JK Lee. Official filmmaker/project pages credit her casting work on The Fast Runner and In Alaska.

2. TOP & NOTABLE PROJECTS
• The Fast Runner (Feature Film — casting director)
• In Alaska (Feature Film — casting director)

3. PROJECT TYPES
Narrative feature and Canadian screen casting.

4. ASSOCIATED OFFICES & TEAM
Company: Judy Lee Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): No verified public email found. Use representatives or live project instructions.

Julie Harkin
Contact: info@harkintoth.com — Shared office contact published on the official site; unsolicited actor intake is not explicitly stated. Do not use the recruitment email for actor submissions.
Location: London, UK
IMDb: View IMDb
Website: www.harkintoth.com
Awards: BAFTA for casting Reunion (2026), documented by the official office.

1. BIOGRAPHY & BACKGROUND
Harkin began in BBC casting before establishing her own company in 2005. She now co-leads Harkin & Toth with Nathan Toth. The official team page documents her screen career and distinguishes current associates.

2. TOP & NOTABLE PROJECTS
• Reunion (television, office casting-director context)
• Industry (television, office casting context)
• I May Destroy You (television, casting director)

3. PROJECT TYPES
British television and film; emerging talent and screen ensembles.

4. ASSOCIATED OFFICES & TEAM
Company: Harkin & Toth Casting
Nathan Toth — casting partner; Lucy Kate Smith and Oliver Scullion — casting associates.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): info@harkintoth.com — Shared office contact published on the official site; unsolicited actor intake is not explicitly stated. Do not use the recruitment email for actor submissions. Keep any permitted appeal concise, relevant and clear about availability.

Julie Tucker
Contact: Public policy: accepts headshot/CV/demo reel by mail only; accepts postcards and invitations; no calls; no drop-offs.
Location: New York, USA / Jersey City context
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Julie Tucker is an Emmy-winning New York casting director working across television and film. Public interviews and actor-facing listings connect her with network drama, streamer drama, procedural work, genre, prestige television and long-running New York casting. Her work is especially relevant to actors targeting guest-star, recurring and series-regular opportunities in TV drama.

2. TOP & NOTABLE PROJECTS
• Doc (Television Series)
• The Equalizer (Television Series)
• Dexter (final chapter context)

3. PROJECT TYPES
Tucker’s lane includes television drama, procedural, medical drama, crime, thriller, sci-fi, streamer drama, New York-based TV, features and guest-star casting. Actors should prepare for pace, high stakes, clarity and quick tonal calibration.

4. ASSOCIATED OFFICES & TEAM
Company: Julie Tucker Casting / Tucker-Meyerson Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: Tucker’s recent public advice emphasises the long game, kindness and audition professionalism. For TV guest-star and procedural work, the actor must serve the episode quickly. Mistakes are less important than whether you stay in the scene, listen and respond truthfully.
B) The Cold Appeal (Email/Demo): Public policy: accepts headshot/CV/demo reel by mail only; accepts postcards and invitations; no calls; no drop-offs.

Junie Lowry-Johnson
Contact: Directory policy: headshot/CV by post only. No calls or drop-offs. No verified public email found.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Junie Lowry-Johnson is a casting director in the Lowry-Johnson/Goldstein partnership. The office has a sustained film and television practice, including premium drama.

2. TOP & NOTABLE PROJECTS
• Six Feet Under (Television — office credit context)
• True Blood (Television — office credit context)
• Deadwood (Television — office credit context)

3. PROJECT TYPES
Film and television drama; ensemble and recurring-role casting.

4. ASSOCIATED OFFICES & TEAM
Company: Lowry-Johnson/Goldstein Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): Directory policy: headshot/CV by post only. No calls or drop-offs. No verified public email found.

Kara Eide
Contact: infokkcasting@gmail.com — Verified shared office contact; no general unsolicited actor submission policy is established.
Location: Vancouver, Canada
IMDb: View IMDb
Website: krisandkaracasting.com

1. BIOGRAPHY & BACKGROUND
Eide is a partner in the Vancouver casting office Kris & Kara. Its portfolio distinguishes Canadian principal and location assignments from associate work.

2. TOP & NOTABLE PROJECTS
• The Body Remembers When the World Broke Open (feature, office principal casting)
• Riceboy Sleeps (feature, office principal casting)
• Joy Ride (feature, Canadian location casting)

3. PROJECT TYPES
Canadian film and television; independent features and local casting for international productions.

4. ASSOCIATED OFFICES & TEAM
Company: Kris & Kara Casting
Kris Woz — casting partner.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): infokkcasting@gmail.com — Verified shared office contact; no general unsolicited actor submission policy is established. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Kate Geller
Contact: The published policy is headshot/résumé by email only: no physical mail, postcards, calls or drop-offs. No verified current standing public address was exposed in the checked sources; obtain the authorised address via a current breakdown or representative, rather than guessing from her name. Historical open-call searches are project-specific.
Location: New York, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Geller began as an actor before joining Chrystie Street Casting, where she worked for about a decade before establishing her independent practice. Her professional interview describes collaborative casting and a strong connection with independent film. Programme credits and industry panels document films across comedy and drama; earlier office work remains qualified rather than being assumed to be solo casting.

2. TOP & NOTABLE PROJECTS
• Bob Trevino Likes It (feature film, casting context)
• Omni Loop (feature film, casting context)
• Shiva Baby (feature film, office casting context)

3. PROJECT TYPES
Independent films, emerging filmmakers, comedy and character drama; television and voiceover casting.

4. ASSOCIATED OFFICES & TEAM
Company: Kate Geller Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Her public interview emphasises collaboration and actors’ individuality. Prepare a specific interpretation that remains open to another direction; do not try to guess a single correct reading.
B) The Cold Appeal (Email/Demo): The published policy is headshot/résumé by email only: no physical mail, postcards, calls or drop-offs. No verified current standing public address was exposed in the checked sources; obtain the authorised address via a current breakdown or representative, rather than guessing from her name. Historical open-call searches are project-specific. Keep any permitted appeal concise, relevant and clear about availability.

Katie Lantz
Contact: No verified current public actor-submission address was established through guild, programme and office/credit searches. Use a live authorised breakdown or representative route. Educational-session administration addresses are not personal casting inboxes.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Lantz is a Los Angeles casting director and associate casting director, and a University of Michigan graduate. Her current Casting Society biography explicitly distinguishes principal work on Avatar: The Last Airbender season three and co-casting on The Last Hurrah, Survival of the Thickest and Better Things from earlier office/department experience. Historic associate listings are not treated as evidence that she cannot now hold a principal credit.

2. TOP & NOTABLE PROJECTS
• Avatar: The Last Airbender (television, season-three casting director)
• The Last Hurrah (feature film, co-casting with Brent Hagata)
• Survival of the Thickest (television, co-casting with Felicia Fasano)
• Better Things (television, co-casting context)

3. PROJECT TYPES
Narrative television, comedy, independent features and international character searches.

4. ASSOCIATED OFFICES & TEAM
Company: Independent casting; collaboration with Felicia Fasano and Brent Hagata

5. ACTIONABLE INTEL
A) The Room (In-Person): Her guild interview describes a detailed international character search and an interest in collaborative storytelling. Prepare an individual interpretation and respond to the actual role brief rather than imitating a familiar screen version; editorial application of public career evidence.
B) The Cold Appeal (Email/Demo): No verified current public actor-submission address was established through guild, programme and office/credit searches. Use a live authorised breakdown or representative route. Educational-session administration addresses are not personal casting inboxes. Keep any permitted appeal concise, relevant and clear about availability.

Kellie Roy
Contact: Office directory policy: agents/managers only, no calls or drop-offs. No current standing public email verified. A historical project-specific Morgan Robbins inbox is withheld.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Kellie Roy is listed as casting director at Engine Casting. Studio press notes credit McCarthy, Roy and Robbins together on Red Right Hand; older associate labels for Robbins do not determine current project responsibility.

2. TOP & NOTABLE PROJECTS
• Red Right Hand (Feature Film — casting director)
• ROT (Feature Film — current project casting credit; territories unconfirmed)

3. PROJECT TYPES
Film, television, genre, suspense and ensemble casting.

4. ASSOCIATED OFFICES & TEAM
Company: Engine Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): Office directory policy: agents/managers only, no calls or drop-offs. No current standing public email verified. A historical project-specific Morgan Robbins inbox is withheld.

Kelly Valentine Hendry
Contact: Official site provides representation contact. Use that pathway for authorised enquiries; actor intake is not stated.
Location: UK
IMDb: View IMDb
Website: kvhcasting.com

1. BIOGRAPHY & BACKGROUND
Valentine Hendry leads KVH Casting and casts British television. A direct interview published by Bridgerton's production company describes her lead search, chemistry reads and use of theatre talent.

2. TOP & NOTABLE PROJECTS
• Bridgerton (television, casting director)
• Broadchurch (television, casting work)
• Rivals (television, casting work)

3. PROJECT TYPES
Television drama and ensembles; evidence describes both established and emerging performers.

4. ASSOCIATED OFFICES & TEAM
Company: KVH Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Official site provides representation contact. Use that pathway for authorised enquiries; actor intake is not stated. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Kim Coleman
Contact: kimcolemansoc@gmail.com — office email; observe policy below
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Kim Coleman, also credited as Kim Taylor-Coleman, is a Los Angeles casting director working across film and television. Her public profile is especially connected to studio features, prestige drama, Black-led stories, streamer television, historical drama and broad searches for culturally specific casting. She is a regular collaborator with major filmmakers and showrunners, including work linked to Spike Lee, Tyler Perry, Amazon, Netflix and network/streamer drama.

2. TOP & NOTABLE PROJECTS
• Cross (Television Series)
• Beyond the Gates (Television Series)
• The Good Lord Bird (Limited Series)

3. PROJECT TYPES
Coleman’s lane includes prestige drama, Black American stories, historical and biographical material, studio features, streamer drama, family film, comedy-drama and projects where cultural specificity, period research and emotional truth are central. Actors should be prepared to bring real historical, social or family context into the audition without over-explaining it.

4. ASSOCIATED OFFICES & TEAM
Company: Kim Coleman Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: Coleman has publicly stressed preparation, actor comfort, chemistry and first impressions. For historical or culturally specific work, the actor needs to understand the world of the character, not merely deliver the lines. Bring research, humanity and confidence without becoming rigid.
B) The Cold Appeal (Email/Demo): Public policy: submissions through agents and managers only. No calls. No drop-offs. Project-specific Cast It/open-call pages should not be reused for unrelated submissions.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Public policy: submissions through agents and managers only. No calls. No drop-offs. Project-specific Cast It/open-call pages should not be reused for unrelated submissions.

Kris Woznesensky
Contact: infokkcasting@gmail.com — Verified shared office contact; no general unsolicited actor submission policy is established.
Location: Vancouver, Canada
IMDb: View IMDb
Website: krisandkaracasting.com

1. BIOGRAPHY & BACKGROUND
Publicly known as Kris Woz, Woznesensky co-leads Kris & Kara Casting with Kara Eide. The office works across independent Canadian films and local casting for larger international productions.

2. TOP & NOTABLE PROJECTS
• The Body Remembers When the World Broke Open (feature, office principal casting)
• Riceboy Sleeps (feature, office principal casting)
• Joy Ride (feature, Canadian location casting)

3. PROJECT TYPES
Canadian film and television; distinguish principal and location responsibility.

4. ASSOCIATED OFFICES & TEAM
Company: Kris & Kara Casting
Kara Eide — casting partner.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): infokkcasting@gmail.com — Verified shared office contact; no general unsolicited actor submission policy is established. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Larissa Mair
Contact: Associated office/team: Company: Larissa Mair Casting & AssociatesToronto casting director with more than 20 years across screen, theatre, animation and commercials. No verified public direct email in the master.
Location: Toronto, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Larissa Mair is credited by Production Weekly as a principal casting director on EIGHT NIGHTS OF ROMANCE. Toronto casting director with more than 20 years across screen, theatre, animation and commercials. The record is deliberately limited to verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• Late Bloomer (Public credit context)
• Run the Burbs (Public credit context)
• Canadian film and television (Public credit context)
• EIGHT NIGHTS OF ROMANCE (Production Weekly principal casting credit)

3. PROJECT TYPES
Telefilm / Hallmark. Public credits also connect this record with Late Bloomer, Run the Burbs, Canadian film and television.

4. ASSOCIATED OFFICES & TEAM
Company: Larissa Mair Casting & Associates

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Associated office/team: Company: Larissa Mair Casting & AssociatesToronto casting director with more than 20 years across screen, theatre, animation and commercials. No verified public direct email in the master. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Laura Schiff
Contact: Professional directory policy is headshot/résumé by post only, with no calls or drop-offs. No verified current standing public actor-email address found. Use a current authorised breakdown or representatives, and do not redirect submissions to a teaching institution.
Location: Los Angeles, USA
IMDb: View IMDb
Awards: Primetime Emmys for casting Mad Men (2010) and Shōgun (2024).

1. BIOGRAPHY & BACKGROUND
Schiff began in film through work with Roger Corman before moving from low-budget features into television drama. Her teaching biography documents collaborations across prestige television. The Television Academy records individual casting wins for Mad Men and Shōgun; award nominations are distinguished from wins. Her academic teaching role is not itself an actor-submission route.

2. TOP & NOTABLE PROJECTS
• Mad Men (television, casting)
• Shōgun (television, casting)
• The West Wing (television, casting)
• Bosch (television, office casting context)

3. PROJECT TYPES
Prestige television drama, ensemble casting, crime and period stories; earlier independent film.

4. ASSOCIATED OFFICES & TEAM
Company: Schiff/Audino Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For a dramatic ensemble, know the scene’s power relationship and the information each character is withholding. Let period or procedural context shape behaviour without making the performance demonstrative; editorial guidance.
B) The Cold Appeal (Email/Demo): Professional directory policy is headshot/résumé by post only, with no calls or drop-offs. No verified current standing public actor-email address found. Use a current authorised breakdown or representatives, and do not redirect submissions to a teaching institution. Keep any permitted appeal concise, relevant and clear about availability.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Professional directory policy is headshot/résumé by post only, with no calls or drop-offs. No verified current standing public actor-email address found. Use a current authorised breakdown or representatives, and do not redirect submissions to a teaching institution.

Libby Goldstein
Contact: Directory policy: headshot/CV by post only. No calls or drop-offs. No verified public email found.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Libby Goldstein is a casting director in the Lowry-Johnson/Goldstein partnership. The office has a sustained film and television practice, including premium drama.

2. TOP & NOTABLE PROJECTS
• Six Feet Under (Television — office credit context)
• True Blood (Television — office credit context)
• Deadwood (Television — office credit context)

3. PROJECT TYPES
Film and television drama; ensemble and recurring-role casting.

4. ASSOCIATED OFFICES & TEAM
Company: Lowry-Johnson/Goldstein Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): Directory policy: headshot/CV by post only. No calls or drop-offs. No verified public email found.

Lindsay Graham-Ahanonu
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Lindsay Graham-Ahanonu is credited by Production Weekly as a principal casting director on WHAT REMAINS WILD. Official Betty Mae team page lists Lindsay Graham Ahanonu as a casting director. The record is deliberately limited to verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• Silver Linings Playbook (Public credit context)
• A Star Is Born (Public credit context)
• What Remains Wild (Public credit context)
• WHAT REMAINS WILD (Production Weekly principal casting credit)

3. PROJECT TYPES
Feature Film. Public credits also connect this record with Silver Linings Playbook, A Star Is Born, What Remains Wild.

4. ASSOCIATED OFFICES & TEAM
Company: Betty Mae, Inc.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Lisa London
Contact: submissions@londonstroudcasting.com — The official office contact page explicitly directs ACTORS to this shared submissions address. Its separate casting@ business/project address is not the actor route. An older directory says representatives only/post only; official actor instructions take priority, but the live site timed out and current access should be checked before use.
Location: Los Angeles, USA
IMDb: View IMDb
Website: londonstroudcasting.com

1. BIOGRAPHY & BACKGROUND
London grew up in show business and began casting through work with her father, television director Jerry London. With her London/Stroud partner she has cast studio comedies, independent features and television, including youth and family projects. Their official office history describes a long partnership and an interest in discovering emerging actors.

2. TOP & NOTABLE PROJECTS
• The House Bunny (feature film, office casting)
• Freaks (feature film, office casting)
• Hannah Montana (television, pilot casting context)

3. PROJECT TYPES
Feature films, comedy, youth/family television and independent drama; ensemble and emerging-talent searches.

4. ASSOCIATED OFFICES & TEAM
Company: London/Stroud Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For comedy, establish the character’s need and relationship before adding comic colour. Youth and family material still needs truthful stakes and clean pacing; editorial preparation advice.
B) The Cold Appeal (Email/Demo): submissions@londonstroudcasting.com — The official office contact page explicitly directs ACTORS to this shared submissions address. Its separate casting@ business/project address is not the actor route. An older directory says representatives only/post only; official actor instructions take priority, but the live site timed out and current access should be checked before use. Keep any permitted appeal concise, relevant and clear about availability.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
The official office contact page explicitly directs ACTORS to this shared submissions address. Its separate casting@ business/project address is not the actor route. An older directory says representatives only/post only; official actor instructions take priority, but the live site timed out and current access should be checked before use.

Lyndsey Baldasare
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles / Burbank, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Lyndsey Baldasare is a Los Angeles casting director and partner with David Rapaport at Rapaport/Baldasare Casting. Public interviews describe Rapaport and Baldasare as long-time creative partners with a close working relationship, and their office is strongly associated with YA, genre, streamer drama, contemporary romance and major network/streamer series casting.

2. TOP & NOTABLE PROJECTS
• The Summer I Turned Pretty (Television Series)
• XO, Kitty (Television Series)
• Ransom Canyon (Television Series)
• Brilliant Minds (Television Series)
• Riverdale (Television Series)
• You (Television Series)
• Titans (Public Open-Call Context)

3. PROJECT TYPES
Baldasare’s lane includes young adult drama, YA romance, streamer ensembles, comic-book/genre television, contemporary relationship drama, medical drama and roles where casting essence matters as much as literal biography. Actors should bring individuality rather than trying to match a generic “young TV” template.

4. ASSOCIATED OFFICES & TEAM
Company: Rapaport/Baldasare Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Marisol Roncali
Contact: casting@atomichoney.com — Published shared office email; unrestricted unsolicited actor submissions are not stated.
Location: New York, USA
IMDb: View IMDb
Website: www.atomichoney.com

1. BIOGRAPHY & BACKGROUND
Roncali co-founded Atomic Honey with Chelsea Ellis Bloch in 2019. Their portfolio spans independent and studio productions, with an emphasis on discovering performers through both agents and wider talent searches.

2. TOP & NOTABLE PROJECTS
• Carry-On (feature, office casting)
• Blue Beetle (feature, office casting)
• Emily the Criminal (feature, office casting)

3. PROJECT TYPES
Features, television and street casting; preserve individual versus office credit context.

4. ASSOCIATED OFFICES & TEAM
Company: Atomic Honey Casting
Chelsea Ellis Bloch — co-founder and casting director.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): casting@atomichoney.com — Published shared office email; unrestricted unsolicited actor submissions are not stated. Keep any permitted appeal concise, relevant and clear about availability.

Mark Brandon
Contact: ARC’s official contact page permits mail or email submissions and prohibits in-person drop-offs. Its addresses were protected in the retrieved text; no verified unmasked current inbox is supplied here. Use the live official Contact control to obtain the appropriate submissions route; do not use a historic Lion King-only inbox for Call Time.
Location: New York, USA
IMDb: View IMDb
Website: www.castingbyarc.com

1. BIOGRAPHY & BACKGROUND
Brandon is the Executive Casting Director, Theatrical, at ARC, following a long career at Binder Casting. The current official team page documents film as well as Broadway, off-Broadway and regional-theatre work, and responsibility for North American and several international companies of The Lion King. He is not merged with the unrelated Canadian actor of the same name.

2. TOP & NOTABLE PROJECTS
• The Lion King (stage, North American/international casting context)
• In Transit (stage, casting)
• Lestat (stage, casting)

3. PROJECT TYPES
Theatre, musicals and wider screen casting; the current weekly film credit is separately source-listed.

4. ASSOCIATED OFFICES & TEAM
Company: Casting by ARC

5. ACTIONABLE INTEL
A) The Room (In-Person): For musical or youth material, connect technical skills to character and story. For film, adjust performance scale and show scene-specific listening; this is editorial advice rather than a claimed personal rule.
B) The Cold Appeal (Email/Demo): ARC’s official contact page permits mail or email submissions and prohibits in-person drop-offs. Its addresses were protected in the retrieved text; no verified unmasked current inbox is supplied here. Use the live official Contact control to obtain the appropriate submissions route; do not use a historic Lion King-only inbox for Call Time. Keep any permitted appeal concise, relevant and clear about availability.

Mary Vernieu
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Mary Vernieu is credited by Production Weekly as a principal casting director on WHAT REMAINS WILD. Founder of Betty Mae, Inc. and a major film casting director. The record is deliberately limited to verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• Knives Out (Public credit context)
• Glass Onion (Public credit context)
• Promising Young Woman (Public credit context)
• WHAT REMAINS WILD (Production Weekly principal casting credit)

3. PROJECT TYPES
Feature Film. Public credits also connect this record with Knives Out, Glass Onion, Promising Young Woman.

4. ASSOCIATED OFFICES & TEAM
Company: Betty Mae, Inc.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Megan Bayliss
Contact: Use the official Reach out pathway; no verified public email was recovered. Actor intake permission remains unconfirmed.
Location: Vancouver, Canada
IMDb: View IMDb
Website: vibecheckcasting.com

1. BIOGRAPHY & BACKGROUND
Bayliss co-founded Vibecheck Casting with Rebecca Davidson after extensive casting-team experience. She trained in musical theatre; the office separates principal projects from associate assignments.

2. TOP & NOTABLE PROJECTS
• Girls Like Girls (feature, office casting-director credit)
• Float (feature, office casting-director credit)
• Yellowjackets (television, office associate-casting context)

3. PROJECT TYPES
Vancouver film and television; principal and associate credits are distinguished.

4. ASSOCIATED OFFICES & TEAM
Company: Vibecheck Casting
Rebecca Davidson — co-founder/casting director.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Use the official Reach out pathway; no verified public email was recovered. Actor intake permission remains unconfirmed. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Melissa DeLizia
Contact: No verified public direct actor email found; use a representative or a live authorised casting notice.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
DeLizia casts film and television. In a direct professional interview she describes authentic performance and the individual qualities an actor can bring; this does not establish unsolicited submission permission.

2. TOP & NOTABLE PROJECTS
• Drunk History (television, casting director)
• Mixology (television, casting director)
• CSI (television, historical casting-assistant context)

3. PROJECT TYPES
Comedy and other narrative screen work; earlier assistant assignments are not principal credits.

4. ASSOCIATED OFFICES & TEAM
Company: Melissa DeLizia Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct actor email found; use a representative or a live authorised casting notice. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Michelle Adams
Contact: No verified current public standing actor-email route was established. Old Adams/Hardin addresses and scraped or unrelated performer contacts are withheld. Use a current authorised ABL breakdown/project notice or representative route; an email belonging to a collaborator is not automatically her inbox.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Adams is a casting director and a partner in ABL Casting with Natalie Ballesteros and Alan Luna. Her collaborators’ first-person professional biographies describe a practice in film, television and animation, with an emphasis on authentic and inclusive representation. She has worked in both principal casting and associate contexts; past department assignments are not automatically described as lead casting.

2. TOP & NOTABLE PROJECTS
• Jenni (feature film, casting with ABL partners)
• Send Help (television, casting with Alan Luna)
• Splash City (feature film, casting with Alan Luna)

3. PROJECT TYPES
Narrative film and television, animation and culturally specific ensemble casting.

4. ASSOCIATED OFFICES & TEAM
Company: Adams/Ballesteros/Luna Casting (ABL)

5. ACTIONABLE INTEL
A) The Room (In-Person): For a culturally specific character, make language, relationships and the immediate circumstances concrete. Do not reduce identity to a generalised performance. Prepare a concise, relevant sample if an authorised route requests one; editorial advice.
B) The Cold Appeal (Email/Demo): No verified current public standing actor-email route was established. Old Adams/Hardin addresses and scraped or unrelated performer contacts are withheld. Use a current authorised ABL breakdown/project notice or representative route; an email belonging to a collaborator is not automatically her inbox. Keep any permitted appeal concise, relevant and clear about availability.

Morgan Robbins
Contact: Office directory policy: agents/managers only, no calls or drop-offs. No current standing public email verified. A historical project-specific Morgan Robbins inbox is withheld.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Morgan Robbins is listed as casting director at Engine Casting. Studio press notes credit McCarthy, Roy and Robbins together on Red Right Hand; older associate labels for Robbins do not determine current project responsibility.

2. TOP & NOTABLE PROJECTS
• Red Right Hand (Feature Film — casting director)
• ROT (Feature Film — current project casting credit; territories unconfirmed)

3. PROJECT TYPES
Film, television, genre, suspense and ensemble casting.

4. ASSOCIATED OFFICES & TEAM
Company: Engine Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): Office directory policy: agents/managers only, no calls or drop-offs. No current standing public email verified. A historical project-specific Morgan Robbins inbox is withheld.

Nathan Toth
Contact: info@harkintoth.com — Shared office contact published on the official site; unsolicited actor intake is not explicitly stated. Do not use the recruitment email for actor submissions.
Location: London, UK
IMDb: View IMDb
Website: www.harkintoth.com
Awards: BAFTA for casting Reunion (2026), documented by the official office.

1. BIOGRAPHY & BACKGROUND
Toth moved from fashion publications and talent representation into casting at the Donmar Warehouse in 2015. He began working with Julie Harkin in 2017 and co-founded Harkin & Toth in 2022.

2. TOP & NOTABLE PROJECTS
• Reunion (television, office casting-director context)
• Industry (television, office casting context)
• I May Destroy You (television, historical casting associate)

3. PROJECT TYPES
British television and film; emerging talent and screen ensembles.

4. ASSOCIATED OFFICES & TEAM
Company: Harkin & Toth Casting
Julie Harkin — casting partner; Lucy Kate Smith and Oliver Scullion — casting associates.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): info@harkintoth.com — Shared office contact published on the official site; unsolicited actor intake is not explicitly stated. Do not use the recruitment email for actor submissions. Keep any permitted appeal concise, relevant and clear about availability.

Nicole Daniels
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Nicole Daniels is credited by Production Weekly as a principal casting director on MANIAC COP. Film and television casting director working with Courtney Bright. The record is deliberately limited to verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• Beginners (Public credit context)
• American Crime Story (Public credit context)
• The Neon Demon (Public credit context)
• MANIAC COP (Production Weekly principal casting credit)

3. PROJECT TYPES
Feature Film. Public credits also connect this record with Beginners, American Crime Story, The Neon Demon.

4. ASSOCIATED OFFICES & TEAM
Company: Bright/Daniels Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Olivia Scott-Webb
Contact: office@oliviascottwebb.com — Professional office email published in the CDG directory’s indexed record. The industry directory specifies submissions by email only, no calls and no drop-offs. The live guild page did not resolve; delivery and any project-specific intake remain unconfirmed.
Location: London, UK
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Scott-Webb is a London casting director and full member of the Casting Directors’ Guild, working across film and television. Her screen credits include The Queen’s Gambit and Fleabag, alongside feature films and British television. Guild records identify the professional office route and distinguish principal casting from project associates. Directory and search-index evidence is retained because a live guild-page fetch encountered a redirect loop.

2. TOP & NOTABLE PROJECTS
• The Queen’s Gambit (television, casting context)
• Fleabag (television, casting context)
• The Gold (television, casting director)

3. PROJECT TYPES
British and international narrative television, film, period and character-led drama.

4. ASSOCIATED OFFICES & TEAM
Company: Olivia Scott-Webb Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): For grounded drama, build a specific relationship and let the thought develop rather than adding a general atmosphere. Adapt material to the production’s tone; editorial preparation advice.
B) The Cold Appeal (Email/Demo): office@oliviascottwebb.com — Professional office email published in the CDG directory’s indexed record. The industry directory specifies submissions by email only, no calls and no drop-offs. The live guild page did not resolve; delivery and any project-specific intake remain unconfirmed. Keep any permitted appeal concise, relevant and clear about availability.

Patrick Cahoon
Contact: No verified standing public actor-email route established. Confirm the relevant Canadian/principal casting team via representatives or a current authorised project notice; exact ROT territory remains unconfirmed.
Location: Vancouver, Canada
IMDb: View IMDb

1. RESEARCH STATUS & BACKGROUND
Cahoon appears as casting director in union production records. The PDF credits him alongside Engine Casting’s team on Rot; lead versus Canadian/local responsibilities are not specified.

2. TOP & NOTABLE PROJECTS
• ROT (current PDF CD line; territory unconfirmed)
• ROT (PDF CD attribution; individual hierarchy unconfirmed)

3. PROJECT TYPES
Canadian screen casting, including genre productions.

4. ASSOCIATED OFFICES & TEAM
Company: Canadian casting / Engine collaboration context

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified standing public actor-email route established. Confirm the relevant Canadian/principal casting team via representatives or a current authorised project notice; exact ROT territory remains unconfirmed. Keep any permitted appeal concise, relevant and clear about availability.

Rachel Tenner
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Rachel Tenner is credited by Production Weekly as a principal casting director on SEVERANCE. Emmy-recognised casting director across prestige television and features. This profile is limited to current verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• Severance (Public credit context)
• Fargo (Public credit context)
• Maid (Public credit context)
• SEVERANCE (Production Weekly principal casting credit)

3. PROJECT TYPES
03 Series / Apple TV. Public credits also connect this record with Severance, Fargo, Maid.

4. ASSOCIATED OFFICES & TEAM
Company: Rachel Tenner Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Rebecca Davidson
Contact: Use the official Reach out pathway; no verified public email was recovered. Actor intake permission remains unconfirmed.
Location: Vancouver, Canada
IMDb: View IMDb
Website: vibecheckcasting.com

1. BIOGRAPHY & BACKGROUND
Davidson co-founded Vibecheck Casting with Megan Bayliss. Her acting training informs a career spanning principal and associate casting; those roles remain distinct in the office portfolio.

2. TOP & NOTABLE PROJECTS
• Girls Like Girls (feature, office casting-director credit)
• Float (feature, office casting-director credit)
• Yellowjackets (television, office associate-casting context)

3. PROJECT TYPES
Vancouver film and television; independent features and screen ensembles.

4. ASSOCIATED OFFICES & TEAM
Company: Vibecheck Casting
Megan Bayliss — co-founder/casting director.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Use the official Reach out pathway; no verified public email was recovered. Actor intake permission remains unconfirmed. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Rebecca Dealy
Contact: Associated office/team: Company: Independent casting officeFilm casting director. No verified public direct email in the master.
Location: New York / Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Rebecca Dealy is credited by Production Weekly as a principal casting director on DIE ALIVE. Film casting director. The record is deliberately limited to verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• We Need to Talk About Kevin (Public credit context)
• Caddo Lake (Public credit context)
• Hereditary (Public credit context)
• DIE ALIVE (Production Weekly principal casting credit)

3. PROJECT TYPES
HBSVOD Feature / Apple TV. Public credits also connect this record with We Need to Talk About Kevin, Caddo Lake, Hereditary.

4. ASSOCIATED OFFICES & TEAM
Company: Independent casting office

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Associated office/team: Company: Independent casting officeFilm casting director. No verified public direct email in the master. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Rhonda Fisekci
Contact: rfisekci@me.com — Current Canadian guild directory publishes this professional address. It is not the old canadafilm.com project address; unrestricted unsolicited actor intake is not stated.
Location: Calgary, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Fisekci is a Canadian casting director whose current guild listing identifies Rhonda Fisekci Casting Inc. in Calgary. Earlier career credits are retained with their recorded qualifiers; the present production’s territorial division of casting is not stated.

2. TOP & NOTABLE PROJECTS
• Black Summer (television, casting-career context)
• Wynonna Earp (television, casting-career context)
• Tin Star (television, casting-career context)

3. PROJECT TYPES
Canadian screen and regional casting; current project’s division of responsibility remains unspecified.

4. ASSOCIATED OFFICES & TEAM
Company: Rhonda Fisekci Casting Inc.

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone and the role’s practical demands. Make clear, playable choices, listen actively and respond to direction. This is editorial preparation advice, not an attributed private preference.
B) The Cold Appeal (Email/Demo): rfisekci@me.com — Current Canadian guild directory publishes this professional address. It is not the old canadafilm.com project address; unrestricted unsolicited actor intake is not stated. Keep any permitted appeal concise, relevant and clear about availability.

Rich Delia
Contact: Public policy: no unsolicited submissions. No calls. No drop-offs.
Location: Los Angeles, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Rich Delia is a Los Angeles casting director with a strong feature-film profile across studio, comedy, horror, thriller, young adult, genre and ensemble films. Public interview material describes him as one of Hollywood’s most sought-after casting directors and highlights his interest in fresh talent, emotionally demanding material and strong character connection.

2. TOP & NOTABLE PROJECTS
• The Long Walk (Feature Film)
• It: Welcome to Derry (Television Series)
• Game Night (Feature Film)

3. PROJECT TYPES
Delia’s lane includes studio features, horror, thriller, comedy, YA/adaptation, emotionally intense ensemble work, commercial features and projects where unknown or emerging actors may be elevated into major roles.

4. ASSOCIATED OFFICES & TEAM
Company: Rich Delia Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: Delia’s public advice for The Long Walk is especially useful: genuine passion, emotional honesty, vulnerability and trust in the work matter. Do not lead with ego or image. Connect to the character and the tone of the project before trying to impress the room.
B) The Cold Appeal (Email/Demo): Public policy: no unsolicited submissions. No calls. No drop-offs.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Public policy: no unsolicited submissions. No calls. No drop-offs.

Sara Kay
Contact: sara@lewiskaycasting.com — office email; observe policy below
Location: Toronto, Canada
IMDb: View IMDb
Website: www.lewiskaycasting.com

1. BIOGRAPHY & BACKGROUND
Sara Kay is a Toronto casting director and partner at Lewis Kay Casting with Jenny Lewis. Their official company biography says they have been in business together for more than 18 years, starting with indie films, short films and reality casting before becoming firmly established in Canadian and American film/television casting.

2. TOP & NOTABLE PROJECTS
• What We Do in the Shadows (Television Series)
• The Boys (Television Series)
• Gen V (Television Series)

3. PROJECT TYPES
Kay’s lane includes Canadian television, comedy, genre, superhero/satire, Toronto location casting, streamer/network series, indie film, features, host/reality roots and productions bridging Canadian and American casting expectations.

4. ASSOCIATED OFFICES & TEAM
Company: Lewis Kay Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Practical interpretation: Lewis Kay’s credits require actors who can handle both comedy and genre without losing truth. For mockumentary or supernatural comedy, do not push the joke. For superhero/satire or streamer genre, ground the extreme premise in real behaviour.
B) The Cold Appeal (Email/Demo): Office policy: no unsolicited auditions; no background casting. Historical open-call inboxes are not standing submission routes.

6. THE RULES OF ENGAGEMENT (PITCHING LOGISTICS)
Office policy: no unsolicited auditions; no background casting. Historical open-call inboxes are not standing submission routes.

Sean Cossey
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Vancouver, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Sean Cossey is a Vancouver-based CSA casting director and partner at Cossey/Ogilvy Casting with JJ Ogilvy. Public casting listings place the office at the centre of Vancouver film and television casting, especially US network and streamer productions shooting in British Columbia. The office is strongly associated with genre, superhero, YA, supernatural, medical/procedural and ensemble series casting.

2. TOP & NOTABLE PROJECTS
• The Good Doctor (Television Series)
• Riverdale (Television Series)
• Superman & Lois (Television Series)
• The Flash (Television Series)
• Supergirl (Television Series)
• Mayfair Witches (Television Series)
• Dead Boy Detectives (Television Series)

3. PROJECT TYPES
Cossey’s lane is Vancouver location casting for film and television, especially superhero, genre, fantasy, YA, supernatural, medical drama and US productions shooting in BC. Actors need strong self-tape technique, fast turnaround, genre literacy and clear Canadian/local availability.

4. ASSOCIATED OFFICES & TEAM
Company: Cossey/Ogilvy Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Sig De Miguel
Contact: Directory policy: representatives only; no calls or drop-offs. No verified public email found.
Location: New York, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Sig De Miguel works in the S2 Casting partnership, established in 2006. Film credits and current professional event biographies document the partners’ independent feature practice.

2. TOP & NOTABLE PROJECTS
• The Road to Galena (Feature Film — casting director)
• THE LONG RUN (Feature Film — current project casting credit)

3. PROJECT TYPES
Independent and studio feature film; ensemble drama and comedy.

4. ASSOCIATED OFFICES & TEAM
Company: S2 Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): Directory policy: representatives only; no calls or drop-offs. No verified public email found.

Skyler Zurn
Contact: Official contact form offers an actor enquiry category; follow that form rather than inventing an email.
Location: Los Angeles, USA
IMDb: View IMDb
Website: www.skylerzurncasting.com

1. BIOGRAPHY & BACKGROUND
Zurn casts independent film and television in Los Angeles. Her portfolio separates casting-director projects from earlier casting-team work.

2. TOP & NOTABLE PROJECTS
• Obsession (feature, casting director)
• Fall 2 (feature, casting director)
• Dog Years (feature, casting director)

3. PROJECT TYPES
Independent features, horror and character-led screen work.

4. ASSOCIATED OFFICES & TEAM
Company: Skyler Zurn Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Official contact form offers an actor enquiry category; follow that form rather than inventing an email. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

Stephanie Gorin
Contact: No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address.
Location: Toronto, Canada
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Stephanie Gorin is credited by Production Weekly as a principal casting director on MEMORY OF A KILLER. Canadian casting director with extensive screen and theatre work. This profile is limited to current verifiable public information and does not infer private submission preferences.

2. TOP & NOTABLE PROJECTS
• Fargo (Public credit context)
• Memory of a Killer (Public credit context)
• Canadian film and television (Public credit context)
• MEMORY OF A KILLER (Production Weekly principal casting credit)

3. PROJECT TYPES
02 Series / FOX. Public credits also connect this record with Fargo, Memory of a Killer, Canadian film and television.

4. ASSOCIATED OFFICES & TEAM
Company: Stephanie Gorin Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare a scene suited to the story’s tone, listen actively and respond to direction. This is editorial advice, not a personal preference.
B) The Cold Appeal (Email/Demo): No verified public direct email in the retained master. Use an authorised project notice or representative route; do not guess an address. Keep any permitted appeal concise, relevant and clear about availability.

Stephen Vincent
Contact: Directory policy: representatives only; no calls or drop-offs. No verified public email found.
Location: New York, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Stephen Vincent works in the S2 Casting partnership, established in 2006. Film credits and current professional event biographies document the partners’ independent feature practice.

2. TOP & NOTABLE PROJECTS
• The Road to Galena (Feature Film — casting director)
• THE LONG RUN (Feature Film — current project casting credit)

3. PROJECT TYPES
Independent and studio feature film; ensemble drama and comedy.

4. ASSOCIATED OFFICES & TEAM
Company: S2 Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Choose material that fits the production’s format and tone. This is editorial advice, not a verified personal preference.
B) The Cold Appeal (Email/Demo): Directory policy: representatives only; no calls or drop-offs. No verified public email found.

Steven Tylor O'Connor
Contact: No verified current public actor-submission inbox found through guild, office/biography and programme searches. Historical production-company/crowdfunding and workshop emails are not general casting routes. Use current authorised breakdowns or representatives.
Location: Los Angeles, USA
IMDb: View IMDb
Awards: Emmys for The Healing Powers of Dude (2021) and Best Foot Forward (2023); Artios wins for Andi Mack (2020) and Summoning Sylvia (2024).

1. BIOGRAPHY & BACKGROUND
O’Connor is a casting professional with both principal and associate credits, working at Aufiero/Horn Casting and on independent projects. Current guild and foundation biographies document Emmy and Artios wins and distinguish his casting career from producing. The principal credit on Summoning Sylvia supports his independent film work; earlier associate awards or credits are not upgraded into lead casting roles.

2. TOP & NOTABLE PROJECTS
• Summoning Sylvia (feature film, principal casting / Artios-winning work)
• Best Foot Forward (television, casting context)
• The Healing Powers of Dude (television, casting context)
• Andi Mack (television, casting context)

3. PROJECT TYPES
Independent film, comedy, youth and family television; inclusive character searches.

4. ASSOCIATED OFFICES & TEAM
Company: Aufiero/Horn Casting; independent casting and producing

5. ACTIONABLE INTEL
A) The Room (In-Person): For comedy or youth/family material, keep the stakes believable and communicate the character’s objective clearly. Honour identity and access requirements in the role brief without assuming personal preferences; editorial advice.
B) The Cold Appeal (Email/Demo): No verified current public actor-submission inbox found through guild, office/biography and programme searches. Historical production-company/crowdfunding and workshop emails are not general casting routes. Use current authorised breakdowns or representatives. Keep any permitted appeal concise, relevant and clear about availability.

Vickie Thomas
Contact: Associated office/team: Company: Vickie Thomas CastingAndrew Hadzopoulos - Casting Associate in public Backstage listing contextJo Edna Boldin - Location casting collaborator context on selected projects Awards: Primetime Emmy winner for Watchmen ; Emmy-nominated casting director No verified public direct email in the master.
Location: Los Angeles / West Hollywood, USA
IMDb: View IMDb

1. BIOGRAPHY & BACKGROUND
Vickie Thomas, also credited as Victoria Thomas, is a major Los Angeles casting director with a film and television career spanning more than four decades. Public interviews describe her as an iconic casting director whose credits cross prestige drama, studio film, historical stories, comedy-drama, auteur cinema and major Black-led ensemble films.

2. TOP & NOTABLE PROJECTS
• Once Upon a Time... in Hollywood (Feature Film)
• The Harder They Fall (Feature Film)
• Detroit (Feature Film)
• Hidden Figures (Feature Film)
• Fences (Feature Film)
• Straight Outta Compton (Feature Film)
• 42.0 (Feature Film)

3. PROJECT TYPES
Thomas’s lane includes prestige film, historical drama, Black American stories, auteur cinema, studio features, limited series, ensemble work and projects where cultural context and casting specificity shape the entire world. Actors need craft, presence and a strong relationship to the character’s social/historical reality.

4. ASSOCIATED OFFICES & TEAM
Company: Vickie Thomas Casting

5. ACTIONABLE INTEL
A) The Room (In-Person): Prepare an emotionally grounded scene matched to the material and its tone. Make clear, playable choices, keep the listening active and respond to adjustments. This is editorial preparation advice, not a stated personal preference.
B) The Cold Appeal (Email/Demo): Associated office/team: Company: Vickie Thomas CastingAndrew Hadzopoulos - Casting Associate in public Backstage listing contextJo Edna Boldin - Location casting collaborator context on selected projects Awards: Primetime Emmy winner for Watchmen ; Emmy-nominated casting director No verified public direct email in the master. Keep any permitted appeal concise and relevant; confirm eligibility and availability before submitting.

CASTING TRACKER